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Our
workshops are THREE
HOURS long and require preregistration because of limited spaces
available.
You may register via PayPal or send in a registration form with
payment.
(see the registration page)
If there
are still
available spots come festival time, tickets will need to be purchased
at
the Town Center Information Table.
Each
workshop is
$25 per person. Registering online will be an option once times
& locations are confirmed.
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Deep
Water: The Poetry of the Family with Dorianne
Laux (bio) & Joe Millar (bio)
(This
workshop will be offered once with Laux and
Millar leading together. Yes, this is a change!)
The Family: Everybody has one,
whether traditional or non-, an underground confluence of riptides and
eddies that buffets and buoys us forth, confused, inspired, wounded,
into the flow of the world. This workshop, directed toward the various
aspects of kinship, will be a forum for discussion and development of
our own work, using models for exercises poems by such writers as
Philip Levine, Lucille Clifton, Marie Howe, Sharon Olds and BH
Fairchild. Open to all skill levels.
each
workshop will be
capped at 25 participants
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Writing
People and Places: Creating Vivid ‘Snapshots’ of the Beloved Community
with Vicki
Lane (bio)
Less
really can be more when it comes to description. This workshop will
present strategies for delineating a person or a place in a few
well-chosen words -- words that will pinpoint the essentials while
leaving peripheral details to the reader’s imagination.
First, working from picture prompts, memory, or imagination,
participants will explore the use of the five senses to bring a setting
alive. Next, keeping the principle show, don't tell firmly in
mind, participants will use picture prompts or imagination, to create
two or three characters. Finally, after a discussion of setting as
environment rather than backdrop, each writer will create a brief
scene, putting characters into a setting, to influence and be
influenced by it.
workshop
will be
capped at 12 participants
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BRINGING
CHARACTERS TO LIFE in Fiction and Memoir with Abigail
DeWitt (bio)
Interesting, believable characters are the
heart of every story. Whether you want to write about your Great
Uncle Bob’s third wife or a character you dreamed up last night, the
task is the same: how can you make
someone come alive on the page? How can you show a person’s
complexity—his humor or pathos or kindness or viciousness or strength
or weakness or all of the above—in such a way that your reader believes
he is real?
In this three-hour workshop, we will use a
variety of techniques designed to help you translate one of the rich,
fully-dimensional people you know (whether in real life or in your
imagination) into an equally rich, fully dimensional character.
You will do a character “interview”, in which you write down the
answers you think your character would give to a list of twenty
questions, a series of “free-writing” exercises in which you imagine
your character in situations he or she would not normally be in, and a
sensory-based exercise in which you explore the way your character
sounds, smells and moves.
At its best, writing is an act of discovery;
when a writer is surprised and enlightened by what he or she has
written, the reader will be equally surprised and enlightened.
The goal of this workshop, then, is to help you use the act of writing
as a way to get to know your characters better and, in the process, to
reveal characters more deeply than you knew you could.
workshop
will be
capped at 12 participants
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WRITING THE FIRST
PAGE: What Editors and Readers look for in Openings with Tamara
Baxter (bio)
This
participatory workshop will focus on techniques for writing great
opening lines and the first page of fiction. Writers are encouraged to
bring a first page of fiction to the workshop. Participants may read
their first page as an opening for discussion of first page writing
techniques. We will discover our best strengths for an opening whether
it be authentic voice, humor, drama, definite point of view, intrigue,
concept, character, beginning with climax, and other techniques.
Participants will leave with another first great line.
workshop
will be
capped at 12 participants
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